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by & © NetAuthor.org 2001
Robert Marcom, Publisher/Owner Rhonna Robbins-Sponaas, Editor-in-Chief Sabina Becker, Poetry Editor Keith Deshaies, Editor-at-Large Jason Nolan, Editor-at-Large Julia Brown, Staff Writer Dan Knestaut, Associate Moderator Walt Wellborn, Webmaster ISSN:1529-1146 |
Stacks
Untangling the Thicket of E-Publishing by Don
Monkerud
Keeping up with the dozens of announcements released by publishers heralding the age of the e-book is like reading the Oxford English Dictionary, beginning with "A." Each word holds a germ of revelation, but taken together, a numbness sets in somewhere around the letter "B," if not before. Unless you've retreated to a cabin in a remote area to write the Great American Novel and missed the news, publishers and authors and the media are talking about the new opportunities created by e-publishing, e-books and print on demand (POD). The original dream followed the surging interest in the Internet as a new business model. The logic is simple and straightforward. Most writers are already creating digital files. Why not use these digital files to form a new business model? POD allowed short run printing, companies created digital book readers, Internet businesses sprang up to sell books online and e-books and voila! Now everyone could publish, at lower costs because it wouldn't include printing and distribution, time-to-market would decrease and revisions would be made easily and quickly. Lower production cost meant higher commissions for writers. A perfect world. Not so Fast Definitions New Internet businesses create confusion when they offer a variety of print-on-demand services, e-book distribution and combinations of e-services to writers and publishers. It's not that complicated. Most books today are created in original digital files, often laid out in Quark or PageMaker, sometimes Microsoft Word, and referred to as being created by desktop publishing. Essentially, anyone with a computer can create such files. Once created, these digital files can be sent over the Internet as attachments, although they are large and take time to transmit. They can be compressed into Adobe's Page Description Format (PDF) and read on computers or Personal Data Assistants (PDA) such as Palm Pilots. PDF is also becoming a printing format because it recreates a exact image of a digitally created page with typefaces, photos and spacing, regardless of whether the reader has the fonts or software that created the original files or not. Digital files can be placed on CD-ROM or DVD disks. They can be placed on Websites to be read or downloaded, either with an encrypted code or credit card-hence the term "e-books." Print On Demand Rather than printing large runs that were often outdated due to revisions, software companies turned to the DocuTech and others such as the IBM InfoPrint 4000, to print short runs quickly. These upgraded toner-based or "copy" machines make printing low quantities, under 1,000, economical. While the unit cost is higher with shorter runs, POD eliminates large capital expenditures, warehouse space and transportation costs (if the books are sent over the Internet and delivered close to the delivery site). POD is here to stay. Lightning Source, formerly Lightning Printing, printed their one-millionth POD book in July, has over 10,000 titles in its digital library, and works with over 600 publishers. E-books came about when portable digital files formed the basis for a number of companies, such as Gemstar and Glassbook, to develop e-book viewers. With Microsoft's new reader that allows users to read e-books on hand-held PDAs, such as Palm Pilot, or on laptops, the market is expected to take off. An Arthur Andersen study estimates e-book sales will be between $1 billion and $3.4 billion by 2005. Publishers, such as Random House, the largest U.S. publisher, are rapidly digitizing their backlist and formatting new books as e-books. Internet Publishing What does this mean for the writer?
There's no doubt that the next technology is exciting, or that it will create a topsy turvy world for publishing in the coming few years. It doesn't present easy answers on how to be successful. Nevertheless, technologically savvy writers can benefit by experimentation, inventiveness and using their creativeness in new and bold ways. Copyright 2000
Don Monkerud is currently Associate Editor of Digital Publishing Solutions Magazine and American Printer where he covers digital printing and document management issues. He's also a past contributing editor to Printing Journal, Apple World, Proprint Graphics Arts Magazine, Print On Demand Business Magazine, and San Jose Business Journal and former editor of Digits, a newsletter for the digital on demand printers, sponsored by Printing Industries of America. Don's credits include over 600 published articles, white papers, marketing writing, editing, and application stories for: Bay Networks, Adobe, Interop, Hitachi Data Systems Software Services, Madge Networks, Novell, Cisco Systems, Sun Microsystems, Silicon Graphics, National Semiconductor, MIPS and Ketchum Public Relations, as well as The New York Times, San Francisco Chronicle and Examiner, San Jose Business Journal, San Jose Mercury News, Editor & Publisher, Success, MacWeek, MD Magazines, Omni, Computer Currents, Print On-Demand Business, Advantage (Hitachi Data Systems), Sun World, High Volume Printing, American Printer, Santa Cruz Sentinel, American Printer and PC Home Journal. |
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